[ “If you have come here to help me, you are wasting our time” ]

It's four am on the Vegas strip, and I'm out jogging. Left from your condo and was shocked when I wasn't blinded by the neon. I have bruises on my knees and I think I might have broken a toe (we moved furniture for eight hours; my arms trembled at the sight of another Louis XVI chair). There's nobody out here at four am…nobody except the street cleaners and taxi drivers and people too drunk to remember which high rise resort they're staying in. It's not hot, yet, but I can feel the shimmering promise of another triple digit day. My shirt isn't sticking to my back, yet. I don't know how long I can keep this up; jogging with a broken toe is never a good idea. I can't hear the drunken outbursts, the 'hey mama, what's your name?' whistles and catcalls don't faze me. My heart beats in triplicate and I'm thinking of turning around. One more mile and I'll be able to fly.

It's four am in London, and I have a flight at noon. I've packed. I'm not sure how ready I am to go back to New York. I stare out of my window, across nothingness towards nothingness. If I squint, I tell myself I can see the ocean, but it isn't true. I tell myself I can see a lot of things. My window is wide, but I can't open it further than a little crack. Palahniuk says it's to keep people from jumping, but I think it's to keep people from smelling the dank air. I called London home once (before), and I may well again. But for now, I'm standing, watching the lightening of the sky and wondering what yesterday will bring to me again.

I missed a flight, and it's four am in Washington DC. I should be angrier than I am, but that would be taking everything out of context. My whole life is nothing but four AMs, and it's taken me a while to admit that I like it that way. Wham, bam, I've become an adult. I can order drinks on planes, stay out all night, make horrible choices and maybe a few good ones. The airport is practically empty, a group of kids just flown in from somewhere in Europe, sleeping upright in uncomfortable chairs. I have nothing but a fiver in my pocket and the exchange office isn't open. There is nowhere to be, and for one blank moment I feel scared. Then my eyes open…

It's four am in Tokyo. I don't know anything else. My brain is miles away and two days late. I'd look at my watch but I haven't set it. My phone alarm keeps going off but it's pointless; I have nowhere to be. My phone beeps again, a text message. Someone down the hall is awake, and somehow he has my number. Of course I know who it is, but answering it obliges my brain to catch up with my fingers, and I can't be bothered.

It's five am on the Vegas strip, and I'm running back home to you. Each breath I take burns and the sky is bright now. It's going to be a warm day. I know I left you sleeping, and when I come back I know you'll still be sleeping. Funny, how my life has revolved, changed, and you're still dreaming, curled under a sheet. I almost envy you.
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From: [identity profile] penpusher.livejournal.com


Fascinating, poignant, evocative, tantalizing. It's almost poetic in its verbage and quite cinematic in the imagery.

From: [identity profile] kittenboo.livejournal.com


I really like the feel of this, and how it comes together in the last paragraph.

From: [identity profile] halfshellvenus.livejournal.com


Gorgeous entry, in language and images. I like the repeated desperation of all of those 4ams, and finally the 5am in which there is hope and an anchor against simply drifting.

In all of this, there is the sense that even having arrived at the 5am end, there was no one who could guide you to that point (to that possibility) except yourself.
Edited Date: 2014-05-29 07:10 pm (UTC)

From: [identity profile] n3m3sis43.livejournal.com


I really liked the rhythm and the repetition of this, and the idea that we don't always need to be "fixed" (or at least that's what I took from it). Also, THANK YOU for getting "faze" right. "Phase" instead of "faze" is one of my personal pet peeves. XD

From: [identity profile] eternal-ot.livejournal.com


I loved the way you used time as a factor here...lovely work...A good read!..:)

From: [identity profile] swirlsofblue.livejournal.com


A beautifully and gorgeously written piece, the cyclical nature is a particularly great aspect especially with breaking out of it at the end, wonderfully lyrical and lovely imagery, absolutely love this.

ps: If you're referring to English currency, there's no such thing as 'pound notes' only pound coins.


From: [identity profile] karmasoup.livejournal.com


This is erratic, intoxicating, and profound... a wild fever dream of uncertainty, confusion, loss, hope, and resolve. Fabulous work.

From: [identity profile] kotenok-angel.livejournal.com


I really enjoyed this entry. The feelings and emotions in this were tantalising. I enjoyed the imagery and the repetition of 4 am then the one 5am. Very interesting read!

From: [identity profile] kajel.livejournal.com


I enjoyed how this went round. Nicely done.

From: [identity profile] eska818.livejournal.com


There's something very elusive about this post that I really love. Nice work.
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